In the drawing above I have imposed the "progression of pentacles" adapted from Ardelan and Bakhtiar on the outside of the chamber, and although the alignment is nor exact because of the angle from which the picture has been taken, the relationship of key structural components to this proportion is fairly clear.
The architect was perfectly aware of what he was doing and the roof incorporates a pentacle in the insider as if to give a clue to the tranquil effect he has evoked. You can just about detect this in the 16- colour in-line image of the interior of the dome above. It is easier to see in the full colour version.
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